5 Motivations For Your Character to Cross the Road
We all know our characters actions need to be guided by some sort of motivation. A character that simply reacts gets frustrating, and characters that have no logical consistency are usually unbelievable. So here’s the question for your character. Why would they cross a road?
My 5 suggestions:
1. Greed – They realised that by crossing the road there was something in it for them. Either something waiting for them or something to be gained. Either way, greed is a powerful motivator and most characters would cross a road for it (some would cross deserts, mountains, or outer space for it).
2. Love – Isn’t that sweet? Their true love is on the other side or they will prove their love by crossing. Doesn’t matter, either way, love is a powerful motivator.
3. Loss – Someone who has lost their way or lost a love one may cross the road just wondering whether the other side offers them anything to take away the pain. Or they may have made a promise to someone who is now gone and crossing the road will help them keep it.
4. Curiosity – Not such a good motivator because usually it is used when there is no good reason for characters to act in a certain way and so they ‘just want to see’ something. Still, if you’ve established your character as someone who likes to stick their nose into other people’s business you can probably make curiosity work.
5. The next logical step – If your character is on route somewhere then crossing the road might simply be the next logical step on their journey.
The point being here that characters need a reason to do things and as long as you, the writer, are clear about why they are doing something and it makes sense to the audience, everyone will end up happy. We usually don’t wonder why our characters cross roads but the same could be said of opening a door, running up a flight of stairs, taking that trip somewhere, or any of the other decisions our characters have to make.
What is your answer? Why would your character cross the road?
Collecting Characters
Thanks everyone for your comments and warm welcome back. I’m still slightly jet-lagged, back at work full-time, have in-house guests and a number of other things going on at the moment so am having a wonderful time trying to settle back into a rhythm. No writing happening at the moment but I know now for sure that I’m going to be rewriting my WIP in first person. Ever since I made that decision I’ve had ideas and pieces of narration flowing through my head continuously so I know I’m on the right track.
This post I want to talk a bit about my trip but not about all the amazing things I saw. I want to talk about the characters I collected.
I am a people watcher. I can’t help it. And when I see a person my first thought is usually about what sort of character could they be. From there my head then adds details and backstories and extra physical features and the final character ends up nothing like the person that was the catalyst for their creation which is probably just as well as they are based on a five minute impression of someone I’ve probably never spoken to.
So which characters did I collect?
The Bore. This is the guy who sits behind you in the bus and tells the same boring story four times throughout the day. Everytime someone new comes along, out comes the story. And it was a boring story to begin with. This is the guy whose girlfriend starts talking over because he is that boring. Yet he insists on getting to the end of his story even if nobody is listening. Plus, he doesn’t vary the story or expand it with the retelling. It is told the same way every time with the same words and in the same monotone drone.
The Tourist. There are people who tour and then there are tourists. The tourist is the one who actually believes that speaking louder will help people understand the words they are saying. The tourist is the one who criticises the hotel staff for not speaking English (in a non-English speaking country). The one who pokes the breakfast rolls and grimaces at the idea of eating food that they are unfamiliar with. Instead of responding with wonder and the strange and unusual, the tourist either photographs it or turns their nose up at it.
The Impatient Man. This one is the guy who does everything short of running you over to get ahead of you in a cue. Then he proceeds to try to work his way around you, gently shoving you and your belongings to the side. When that doesn’t work he starts calling out to the person at the head of the cue trying to get himself a reason to walk around you. Then, if someone else dares to push in anywhere in the line, this is the man that goes off at them and berates them. Signature of the impatient man is the rumpled, grey suit. It is always grey for some reason.
The Dreamer. This one I saw several of, mostly in London. They wander around in the parks staring at the grass or the trees and they seem to tilt in the direction the wind is blowing. These people are in serious danger of getting run over by bike riders or even running squirrels because they are not at all focused on what is happening around them. They frequently have paper backs stuffed into their back pockets.
I collected many others but what is important is that being around new people in new situations got me looking closer at the people around me. I am always watching people but this trip really helped me to focus on some of the smaller details.
One thing that amazed me was when I was in line to go to the Eiffel Tower there were a group of soldiers, with very large guns, walking around underneath and generally keeping an eye on things. That kind of freaked me out because seeing a soldier in uniform is kind of something for ANZAC day only and seeing someone with a gun that big in public is fairly uncommon in Australia. It was interesting watching how some of the other visitors responded. Some tried to photograph them and were rebuked. Others utterly ignored them, treated them as if they were part of the scenery. Others snuck covert glances at them while others stared openly. It was just interesting seeing the array of reactions.
Well, I probably won’t get to post again until the weekend but I am wishing everyone a very good week. In the meantime, I would love to hear some of the characters you have collected over the years.
Heroic Failure
I’ve previously looked at heroic traits and my favourite heroes but recently I’ve been thinking about why some heroes just don’t live up to their hype.
Personally, I have never liked Superman. I know, this is a terrible thing I am saying and many of you are staring daggers at the screen but I’ve just never really connected with Superman. Why? Because the man in the red cape and blue lycra has it far too easy. The only reason he’s ever in peril is if someone manages to get hold of one particular kind of rock (which is meant to be hard to find but there seems to be prolifically spread throughout the stories) and you just can’t care about someone who is mostly invincible. I did like Tarentino’s take on the Superman story as explained in Kill Bill 2. It may be a long winded scene and the story itself has very little connection to the story of the movie (there is a very loose tie-in at the end of the tale) but it is fascinating hearing Bill’s perception of the man of steel.
So where do other heroes fail and why do they fail? And is it actually failure or is just a matter of these heroes not being directed at the right audience?
Examining movies the obvious character to pull apart would seem to be Riddick (or at least it would be obvious if you were currently inside my head). Riddick was an incredibly interesting anti-hero in Pitch Black and his characterisation and development were smoothly executed, he had some of the best lines of the movie, and while he was the hero of the story at no stage did he make you want to gag because he didn’t have that sudden epiphany of “what have I been doing with my life”. He was who he was and his essential personality did not change.
Then we move on to Chronicles of Riddick and while it might seem a pointless exercise to attack Riddick’s character when the entire movie had issues, I’m going to do it anyway. To start with, the minor developments of character that he underwent in Pitch Black are gone and we seem to be back at the beginning of Riddick’s character development. In their haste to try to develop a back-story we have info-dumps all over the place that weigh our character down and don’t really help us to understand him any better. As a hero he fails to appease the audience because at no stage do we care if he succeeds at overcoming an incomprehensible ‘evil’ army. The worst thing about his character here is that he becomes less heroic and more unlikable by the minute in this film. Heroic failure – though feel free to disagree if you found some redeeming qualities in Riddick.
If I look to books then I start to think about Janelle from Ann Bishop’s Dark Jewel’s Trilogy. I love these books and the stories. Janelle’s character is fascinating and frightening and completely mesmerizing, but as a hero she doesn’t really do much for me. Her changeable nature from passive, to fragile, to furious in the blink of a few pages makes her an interesting character, but hard to support as the hero. The characters surrounding her are more what you could call traditionally heroic, but even they are deeply flawed individuals. Great story but hard to find the hero.
Does it matter? Do we need a ‘hero’? Do we have to like the hero for the story to be effective? Clearly in the case of Ann Bishop I didn’t like the hero on reflection and can see all the flaws in the other candidates and yet I still loved the story. In the case of Pitch Black, I liked the development of the anti-hero but found the break down of Riddick’s character in the sequel to be tiresome and boring which completely undermined the little story being told.
Your thoughts?
Who are the heroes that you never liked?
What makes a hero work for you?
Cassandra Jade in the Realm 